China Hong Kong-Aaron Kwok Concert-Dynamic X-Bar

Tailored to the characteristics of the concert, FENG-YI developed a stage lighting solution featuring coordinated multi-equipment deployment:

▪ Core Equipment Customization: Provided precise follow spots, dynamic effect lights, and ambient color-changing lights. Follow spots locked onto the artist's movement trajectory throughout the performance to ensure a clear performance focus; effect lights adapted to energetic song and dance segments through dynamic changes such as strobing and scanning; color-changing lights created lyrical or retro atmospheres through full-color adjustment, echoing different style tracks.

▪ Reconstruction of Performance Elements with Light and Shadow: Deeply integrated lighting with song emotions and dance choreography—in dynamic chapters, lights quickly switched colors and angles with drumbeats, enhancing visual impact with mechanical dances and moonwalks; for lyrical songs, gradient color light layers wrapped around the stage, conveying delicate emotions with the artist's singing; in classic medley sessions, lighting tones reproduced stage styles of different eras to awaken collective memories.

▪ Equipment Performance Optimization: All lighting equipment adopted high-speed response design to ensure real-time synchronization with music beats and dance movements; lighting projection angles could be flexibly adjusted to adapt to the stage layout and audience seating distribution of different venues, ensuring consistent viewing experience across the entire venue.

To address cooperation challenges, a "demand docking + flexible adaptation" service system was established:

▪ •In the early stage, a dedicated team was formed to conduct multiple rounds of communication with the concert director team, choreographer, and artist team. Combined with performance scripts and artist preferences, lighting effect simulations were carried out, and lighting layout and dynamic parameters were adjusted according to the "both dynamic and affectionate" style.

▪ •A dedicated on-site team was arranged to survey each tour venue in advance, formulating targeted lighting position plans. Equipment adopted modular design, enabling quick adaptation to the power conditions and spatial structure of different venues.

▪ •The on-site technical team worked closely with the stage manager and video team to complete equipment installation and effect debugging, and preset multiple sets of emergency lighting plans to ensure performances were not affected when responding to emergencies during the tour.

FENG-YI invited the concert director and artist team to participate in the lighting scheme review, focusing on lighting dynamic rhythm, color selection, and matching degree with performance details.

For example, based on the artist's suggestions, a retro golden light effect was customized for the classic track I Can't Stop Loving You to restore the stage memories of his debut period; 360-degree rotating lighting effects were added for new energetic tracks to create an immersive experience with the rotating stage; a warm light gradient mode was designed for the lyrical track Should I Walk Away Quietly to enhance the emotional tension of the song.

Adopting pre-installed modular design, lighting control components and circuits were pre-debugged at the base. After arriving at the venue, only quick assembly and position calibration were needed, significantly shortening the tour setup time.

Meanwhile, adjustable brackets were customized according to the ceiling structure of different venues to ensure stable installation of lighting equipment and accurate projection angles.

Multiple rounds of make-up rehearsal debugging were conducted with the artist team before the official tour. The technical team recorded the coordination details between lighting and dance movements, singing emotions, and stage machinery for each track, including the timing of follow spot switching when the artist moved, the distribution of light and shadow layers in group dance segments, and the full-venue lighting linkage during climax parts.

Issues such as "disconnection between light and shadow and dance rhythm" and "insufficient lighting atmosphere in emotional segments" identified during rehearsals were addressed by real-time parameter adjustments, achieving deep integration of lighting and performance.

Multi-type lighting equipment created multiple iconic performance scenes: in energetic song and dance segments, effect lights quickly scanned the stage with dance steps, color-changing lights combined with LED screens to form a dazzling light and shadow matrix, and follow spots accurately captured the artist's difficult movements, igniting the full-venue atmosphere; in lyrical segments, warm light gradually brightened at the center of the stage to focus on the artist, while surrounding lights slowly dimmed, creating an immersive atmosphere of "one person, one song, one world"; during classic medleys, lights switched to retro red, gilded, cool blue and other tones in turn with the change of tracks, leading the audience through time with melodies; in the encore interaction session, the full-venue lights turned to soft white light, and the artist's stage light echoed with the audience's flashlight beams, forming a highlight moment of emotional resonance.