2026 Li Jian Guangzhou Concert – "When All Things Are in Peace": Lifting Bubble Balls Weave a Poetic Starry River
Experience the magic of the 2026 Li Jian Guangzhou Concert. FENG-YI utilizes kinetic lighting systems for stage performance to create a poetic starry river. Our kinetic LED light installation art and kinetic lights drone show for events redefine visual storytelling on the grand stage.
- 2026 Li Jian Guangzhou Concert – "When All Things Are in Peace": Lifting Bubble Balls Weave a Poetic Starry River, Technology and Art Compose a Feast for the Eyes and Ears
- 1. Title
- 2. Project Description
- 3. Project Introduction
- 4. Project Overview
- 5. Detailed Analysis of Project Overview
- 6. Project Solution
- 7. Product Application Analysis
- 8. FAQs
- 9. Conclusion
- About Us
2026 Li Jian Guangzhou Concert – "When All Things Are in Peace": Lifting Bubble Balls Weave a Poetic Starry River, Technology and Art Compose a Feast for the Eyes and Ears
1. Title
2026 Li Jian Guangzhou Concert: Debut of Lifting Bubble Ball Matrix at "When All Things Are in Peace", Illuminating the Music Poet’s Poetic Starry River with "Particles of Light"
2. Project Description
On the evening of April 18, 2026, the Baoneng Guangzhou International Sports Arena was packed to capacity. Li Jian, the "Music Poet", kicked off the warm Encore Guangzhou stop of his "When All Things Are in Peace" tour. In this top-tier performance blending poetic vocals and immersive visuals, the DLB series lifting bubble ball matrix provided by Guangzhou Fengyi Stage Lighting Equipment Co., Ltd. was used on a large scale for the first time in Li Jian’s tour. More than 200 floating "Particles of Light" were deeply integrated with the 360° stage, suspended LED screens, and dynamic lighting system, transforming Li Jian’s ethereal, clear vocals and delicate emotions into a visible flowing starry river, bringing nearly 20,000 audience members an immersive experience of dual healing for both hearing and sight. This article comprehensively analyzes how the lifting bubble balls became an indispensable "Poets of Light" in this musical poem, covering project background, technical challenges, solutions, and on-site effects.
3. Project Introduction
"When All Things Are in Peace" is another meticulously crafted tour by Li Jian following "More Than Li Jian" and "Yearning", focusing on exploring inner peace and harmony in a chaotic world. The tour assembled a master-class creative team: veteran concert director Chen Zhenchuan, national treasure sound engineer Jin Shaogang, music producer Liu Zhuo and his leading VBand, renowned lighting designer Feng Hui, and others. The stage featured an innovative 360° design with no pillar obstructions, paired with suspended LED screens, dynamic lighting, and fog effects to create a dreamlike poetic visual space. To materialize the imagery of "quiet beauty" and "all things growing" in Li Jian’s music, the lighting design team introduced Fengyi Stage’s lifting bubble ball matrix for the first time. These independently liftable, color-changing, and breathing spheres, like floating stars and fireflies, rise, fall, and flicker gently with the rhythm of the music, translating the emotional curve of each song into a visible poem of light and shadow.
4. Project Overview
4.1 Basic Performance Information
- Artist: Li Jian
- Tour Theme: "When All Things Are in Peace" Encore Guangzhou Stop
- Date: April 18, 2026
- Venue: Baoneng Guangzhou International Sports Arena (capacity approx. 18,000 people, 360° stage design)
- Lighting Design: Feng Hui’s Team
- Core Product: Fengyi DLB Lifting Bubble Balls (approx. 200 sets)
4.2 Venue and Stage Features
The Baoneng Guangzhou International Sports Arena is a large-scale 10,000-seat venue with a 360° unsupported pillar stage design, offering unobstructed views from every seat. This design allows the audience to enjoy the performance equally from four directions, but also raises higher requirements for stage visuals – lighting effects must be fully viewable from all four sides, as any visual blind spot would break the immersion. In addition, the complex steel structure at the top of the venue and limited hanging points posed challenges for the large-scale deployment of lifting bubble balls.
4.3 Product Selection
After multiple rounds of scheme comparison, the lighting design team finally selected Fengyi’s DLB series lifting bubble balls, mainly for the following features:
- 360° Omnidirectional Lighting: The sphere is made of high-light-transmission frosted PC material with 33 built-in RGB LED beads, ensuring even and full light from any viewing angle, perfectly adapting to the 360° stage structure.
- Programmable Lifting Motion: Supports DMX512 control, with optional lifting strokes of 3m, 6m, and 9m, stepless speed adjustment from 0–1m/s, and programmable motion curves including sine wave, linear, exponential, etc.
- Positioning Accuracy ±1mm: Supports multi-device collaborative programming to form complex dynamic effects such as waves, spirals, and random drifting.
- Silent Operation: Operating noise below 35dB, ensuring no pickup by microphones even during quiet lyrical passages.
4.4 Deployment Scale and Layout
Approximately 200 sets of lifting bubble balls were deployed for this concert, arranged in a three-layer matrix:
- Top Layer (10–15m): Approx. 80 sets, creating a "starry river" effect with slow collective breathing and wave motions.
- Middle Layer (5–8m): Approx. 70 sets, simulating "forest light spots" with staggered heights and independent random lifting.
- Bottom Layer (2–4m): Approx. 50 sets, close to the audience’s view for interactive and close-up atmosphere rendering.
This layered layout forms a complete visual depth from "looking up at the starry river" to "being within reach", greatly enriching the spatial hierarchy of the stage.
5. Detailed Analysis of Project Overview
5.1 Visual Challenges and Solutions in a 360° Stage Environment
The 360° stage requires lighting effects to be fully viewable from four directions. Traditional moving head lights or fixed beam lights have irradiation angle blind spots, while the 360° omnidirectional lighting feature of lifting bubble balls naturally solves this problem. In addition, to ensure the audience in all directions can see the full color of the spheres, the technical team adopted a "symmetry + fine-tuning" strategy in layout: taking the stage center as the origin, the number of spheres is basically balanced in four directions, with brightness and color saturation fine-tuned according to the distance of each audience section.
5.2 Music Visualization Programming: Custom "Light & Shadow Emotional Codes" for Each Song
Feng Hui’s lighting design team analyzed the concert’s set list song by song in advance, translating the melody trend, harmonic color, and emotional curve of each song into motion parameters and color changes of the bubble balls. All bubble balls are uniformly controlled via the grandMA3 console, synchronized with music time code to the millisecond. Typical scenes include:
- Lake Baikal: Spheres drop to low altitude (2–4m), moving asynchronously at ultra-slow speed (0.05–0.1m/s), with colors gradually shifting between warm white and light purple, simulating the quiet shimmer of the lake.
- Yearning: Middle and top spheres perform sine wave motions, colors fading from cool white to light blue then warm gold, pulsing in brightness with the chorus to express emotional fluctuations of "yearning".
- If Love Is Destined: All spheres drop to the lowest point with dim light only; as vocals build, spheres rise slowly from center to periphery, colors shifting from warm white to amber gold, forming a visual image of "love blooming".
- Legend: "Meteor shower" effect activated, some spheres rise rapidly then fall sharply, with silver-white flashing of RGB LEDs simulating romantic shooting stars across the night sky.
5.3 Structural Safety and Installation Plan
The venue’s top steel structure is complex with limited hanging points. Fengyi’s technical team cooperated with venue structural engineers to optimize the hanging scheme:
- Chemical anchor bolts for fixing hanging points, each designed to bear 8 times the static load of the equipment.
- Using existing main trusses, distributing hanging points of 200 bubble balls across multiple main beams to avoid stress concentration.
- All power and signal cables routed inside trusses, concealed with flame-retardant trunking for a clean visual appearance.
5.4 Multi-Disciplinary Collaborative Commissioning
The lifting bubble ball matrix integrates motion control, motor technology, pixel mapping, visual art, and musical expression. One week before the performance, Fengyi’s technical team conducted consecutive days of joint debugging with lighting designers, sound engineers, and video teams, ensuring sphere lifting motions did not interfere with the sound system’s acoustic coverage or conflict visually with suspended LED screen content. Finally, via global time-code synchronization, all visual elements – bubble balls, LED screens, beam lights, lasers – achieved precise millisecond-level linkage.
6. Project Solution
Targeting the poetic and quiet style of Li Jian’s concert and the special 360° stage environment, Fengyi’s team provided a complete integrated hardware and software solution:
6.1 Customized Product Deployment
- Quantity: 200 sets of DLB lifting bubble balls
- Lifting Stroke: 9m (from 2m above the stage to 11m high altitude), fully utilizing the venue’s vertical space
- Layout Strategy: Three-layer matrix – top layer for "starry river", middle layer for "forest light spots", bottom layer for "intimate dialogue"
- Appearance Customization: Frosted high-light-transmission PC material, soft and even light color, no glare for close viewing
6.2 High-Precision Control System
- Control Platform: grandMA3 full-size, supporting time-code synchronization and multi-device grouping
- Signal Transmission: Art-Net protocol, Gigabit Ethernet, end-to-end latency <8ms
- Preset Scenes: 15 sets of light & shadow programs preset according to the set list, flexibly switched during the performance based on real-time emotions
6.3 Safety and Reliability Assurance
- Dual steel wire ropes + mechanical fall protectors: independently equipped for each device for absolute high-altitude safety
- Silent Design: servo motor + special deceleration mechanism, operating noise <35dB
- UPS Uninterrupted Power Supply: ensuring safe homing in case of power failure
- On-site Technical Support: 2 Fengyi engineers stationed on-site throughout the performance for zero-failure assurance
7. Product Application Analysis
Lifting bubble balls are not "universal lights" but have strong scene-adaptive logic. Their application in Li Jian’s concert provides important references for other scenarios:
7.1 Application Key Points in 10,000-Person Concerts
- Core Value: Breaking the flatness of traditional lighting with the floating sense of "light particles", creating vertical spatial layers
- Technical Points: Using multi-layer matrix layout with staggered heights, forming a "virtual-real intertwined" visual spectacle with dynamic LED screen content
- Programming Suggestions: sine wave motions for slow songs, linear motions for fast songs; color changes synchronized with emotional trends; avoid synchronous motions for all spheres, add random delays for naturalness
7.2 Application in High-End Bars and Music Restaurants
- Core Value: creating an intimate, romantic immersive atmosphere
- Configuration Suggestions: reduce quantity (20–50 sets), shorten lifting stroke (3–6m), slow motion speed to 0.1–0.3m/s
- Color Suggestions: warm white, light pink, amber dominant, avoid high-saturation glare colors
7.3 Application in Professional Theaters and Concert Halls
- Core Value: assisting dramatic narration as "props of light"
- Technical Points: lifting motion must be silent (<30dB), higher positioning accuracy (±0.5mm), precise synchronization with plot time code
- Configuration Suggestions: select silent servo motor version bubble balls, use S-curve for smooth start/stop motion
8. FAQs
Q1: What size venues are lifting bubble balls suitable for?
A: Suitable for venues from hundreds of people (Livehouse) to tens of thousands (stadiums). The key is to select the appropriate lifting stroke (3m, 6m, 9m) according to the venue height, and adjust the quantity and layout density based on space size.
Q2: Can the sphere’s light color restore the delicate emotions in Li Jian’s songs?
A: Absolutely. The bubble balls have 33 built-in RGB LED beads supporting 16 million true colors, with stepless color temperature adjustment from 2200K warm yellow to 10000K cool white. Programming achieves infinite color changes from "morning glow" to "bright starry river".
Q3: In a 360° layout, how to ensure the best viewing experience for the audience in all directions?
A: The 360° omnidirectional lighting ensures even and full color from any angle. Paired with multi-layer matrix layout and suspended LED screens, it forms an all-around wrapped immersive experience.
Q4: Will the equipment’s operating noise be picked up by microphones and affect the concert’s audio effect?
A: No. The bubble balls use silent servo motors and special deceleration mechanisms, with operating noise below 35dB – far lower than the ambient noise of a 10,000-seat venue. Even during extremely quiet songs like Lake Baikal, mechanical sound will not be transmitted into the sound system via pickup devices.
Q5: What other scenes is this system suitable for besides concerts?
A: The bubble balls have strong cross-scene adaptability – applicable to high-end bars (creating blurred atmosphere), commercial atriums (building check-in landmarks), cultural tourism night tours (simulating starlight and fireflies), brand conferences (ceremonial sense for product launches), etc.
Q6: Is later maintenance complicated?
A: Very simple. LED light source lifespan exceeds 20,000 hours, lifting motor design lifespan exceeds 50,000 cycles. Daily maintenance only requires cleaning the sphere surface, and inspecting steel wire ropes and fasteners every six months. Fengyi provides remote monitoring and regular inspection services.
9. Conclusion
On April 18, 2026, as Li Jian sang the first line of When All Things Are in Peace at the Baoneng Guangzhou International Sports Arena, more than 200 lifting bubble balls slowly lit up above the stage, like a sleeping star cluster awakened by singing. At this moment, the Music Poet told the story of all things being at peace with sound, while the lifting bubble balls, in the language of light, laid a tangible starry river for this story.
From considering "360° omnidirectional lighting" during product selection, customizing exclusive "light & shadow emotional codes" for each song in programming, to precise deployment and safety assurance in the 360° stage environment, Fengyi Stage’s lifting bubble balls proved in Li Jian’s Guangzhou concert that they are not just "glowing spheres", but "Poets of Light" that can converse with music and resonate with the audience.
This concert is not only a successful commercial performance but also a model of stage lighting technology serving artistic expression. It demonstrates to the industry: when precision machinery meets poetic music, and programmable light points integrate into emotional narration, technology is no longer a cold tool but an artistic medium that touches the heart. In the future, Fengyi Stage will continue to deepen the field of programmable kinetic lighting, creating more touching moments of "all things being at peace" for stages worldwide.
About Us
Guangzhou Fengyi Stage Lighting Equipment Co., Ltd. has focused on R&D and manufacturing of programmable kinetic lighting systems for more than ten years, with products exported to over 90 countries globally. From lifting bubble balls to lifting meteor lights and lifting artistic wings, Fengyi uses the dual language of technology and art to create infinite possibilities of light for stages worldwide. We look forward to joining hands with you to light up the next "highlight moment".
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