Jiangsu TV’s New Year’s Eve Gala (3) - FENG-YI

Jiangsu TV’s New Year’s Eve Gala.

Celebrate the magic of New Year’s with Jiangsu TV’s spectacular Gala, brought to life by FENG-YI’s cutting-edge stage light solutions. Experience vibrant visuals and unforgettable performances that illuminate the night and welcome the new year in style.

Jiangsu TV New Year's Eve Gala: Reconstructing Gala Aesthetics with "Programming Thinking" to Create an "Executable Symphony of Light and Shadow"

 
When Jiangsu TV's New Year's Eve theme "Light Up Happiness Through Struggle" transcended being a mere slogan and evolved into a technically precise proposition that could be deconstructed and reconstructed, our challenge shifted from artistic creation to a complex "system architecture" project. At its core, this stage scheme is the construction of an "operating system" capable of seamlessly compiling grand narratives, diverse programs, and real-time emotions into a unified visual language.
 

I. Top-Level Design: From "Visual Spectacle" to "Emotional Computation"

 
Abandoning the conventional approach of stacking equipment, we established a design philosophy centered on "emotional computation." The stage was abstracted as a massive three-dimensional coordinate system, where all elements—including over 300 numerically controlled profile spotlights, multi-layered lifting mechanical structures, circular LED screens, and floor tiles—were defined as "dynamic pixels" within this system. The overall design features an immersive "light dome" radiating 360 degrees around the main stage as the focal point. Crucially, every change in this "light dome" is not manually operated but driven by pre-written "emotional algorithms" incorporating spatial coordinates and time variables.

Jiangsu TV’s New Year’s Eve Gala (3)

II. Technical Hub: Deep Coupling of "Time Axis" and "Space Axis"

 
The essence of professionalism lies in our leap from "timeline programming" to "time-space matrix programming." Traditional lighting programs only control "which lights to turn on and what colors to switch to at specific times." In this project, however, our central control system (e.g., grandMA3) manages "time-space data packages" containing multi-dimensional parameters such as position, posture, trajectory, brightness, color temperature, and patterns.
 
For example, instead of a simple "Cue list," we developed an independent program module named "Dawn" for a singer’s inspirational song. When triggered, the module simultaneously instructs: 1) The multi-layered circular mechanical structures to converge toward the center at a specific acceleration; 2) All beam lights to synchronously elevate their angles to simulate the perspective of a sunrise; 3) The color temperature to linearly transition from 2700K warm yellow to 6500K cool white. All of this is completed synchronously within 3 seconds, forming a complete visual metaphor from convergence to eruption. The synchronous interpolation calculation of these multi-dimensional parameters is the technical cornerstone for achieving smooth transitions in grand-scale scenes.

Jiangsu TV’s New Year’s Eve Gala (5)

III. Effect Realization: A Customized Program Library Based on "Program DNA"

 
The lighting design for the entire gala is the invocation and combination of a massive "program library." We developed exclusive "effect generators" for each type of program:
 
  • Nostalgic Hits: Activates the "Film Texture" generator. The program controls the lights to load soft light filters, reduce contrast, and simulate the slight jitter of old projectors in beam trajectories, with the color temperature locked in a nostalgic amber tone.
  • Sci-Fi Singing & Performance: Launches the "Quantum Matrix" generator. The program takes over all numerically controlled lights, dividing them into several independently moving pixel groups for high-speed, asymmetrical scanning movements. Combined with cool tones and high contrast, it creates a highly digital visual flow.
  • Warm Interviews: Enables the "Low-Light Narrative" mode. The program shuts down all motion and large-area coloring, retaining only precise spotlights and soft backlighting. The light ratio is strictly controlled within 2:1 to ensure the delicate presentation of emotions on the characters’ faces.
 
These "generators" are not isolated; their switching is achieved through macro commands for "seamless transitions," ensuring the visual coherence and logical flow of the gala’s emotional arc—from the warmth of "family" to the grandeur of "country."

Jiangsu TV’s New Year’s Eve Gala (6)

IV. Professional Core: Passionate Emotion Under Rational Code

 
The professionalism of Jiangsu TV’s New Year's Eve Gala ultimately manifests as a "restrained precision." The most thrilling visuals originate from the calmest code. Through programming, we transformed the director’s artistic intuition into repeatable, verifiable, and fine-tunable data logic. The stage is no longer a passive object waiting to be illuminated, but a "living entity" with independent expressive capabilities. It proves that when lighting design reaches the level of "system architecture," technology ceases to be a mere tool for realizing creativity—it becomes the highest form of creativity itself. It can compile abstract concepts such as "struggle" and "happiness" into a convincing, surging visual testimony that resonates with all.

Jiangsu TV’s New Year’s Eve Gala (2)

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